The StingRay 5 and Bongo 5 use the same with an added 130. This set is our Regular Slinky Bass 5's, item #2836.
The factory specifications for the pickup height is 6/32" or 4.76mm from the top of the plastic between the pickup covers to the bottom of the G string. The angle of the pickup is set fairly level, so the larger strings are naturally a bit closer. If you haven't already adjusted the pickup or changed to a very heavy gauge string set, you shouldn't have to do any adjustments on the pickup.
On the new 2-pickup basses, the measurements are virtually the same on the bridge pickup and the neck pickup is further away, about 8/32" or 6.35mm from the string to the pickup.
Since the neck is finished only with gunstock oil and wax blend, it is more susceptible to humidity changes. An occasional truss rod adjustment will halp keep your bass playing factory-new. If you are getting fret buzz (plugged in only, of course) raise the action by turning the trussrod wheel counter-clockwise, to lower the action turn it clockwise.
An infrequent dose of gunstock oil will help to keep the neck maintained; we recommend and use Birchwood-Casey Tru-Oil, but any good quality gunstock oil will work. Clean neck first. Use a small amount of Tru-oil, leave it on for 5 minutes, then wipe it off with a paper towel. Then apply Birchwood-Casey Gunstock Wax. Be sure to douse the paper towel with water before disposing of it! Read the wax and oil manufacturer's instructions regarding disposal of these used paper towels.
Birchwood-Casey products are available at most sporting goods or gun stores, or direct. Their web address is http://www.birchwoodcasey.com.
Rosewood fingerboards should not be treated with gunstock oil; instead they should be treated with a high grade of lemon oil.
For cleaning, try using the same high grade of lemon oil to clean the entire neck, both maple and rosewood fretboards. Keep in mind that if the dirt or grease has been worked into the wood, it cannot be removed except by sanding it down, which we do not recommend unless exercised with extremely fine sandpaper (1200-1600 grit), and even then very sparingly. It is better to keep it clean in the first place. Washing your hands first helps!
Some discoloration after many hours of playing is normal on unfinished necks.
Be sure to follow all of the manufacturers recommended safety precautions when using any of these oils or waxes.
The piezo/magnetic blend is controlled by a knob that has a center d?tente position. Turn the knob all the way clockwise and there is magnetic signal only. Turn the knob all the way counter-clockwise to obtain piezo signal only. With the knob in the center detente position, there is an exact 50/50 blend of piezo and magnetic signal, and any other setting will be blended according to where the knob is set.
The piezo bridges are not available as a retrofit for earlier Music Man basses.
Various epoxy and Cyanoacrylate (super glue) finishes have been used on fretless fingerboards. This tends to yield a brighter tone and may wear longer than bare wood, depending on the material used. Some such finishes do not adhere well to oily woods such as rosewood or pau ferro. Our recommendation: Don't try this at home!
It has a 29 5/8" scale which is almost halfway between a guitar and bass scale length. It is tuned E-E a full octave lower than a guitar and uses all wound strings from .20 to .90 gauge. In some applications, it could not be used the same way as a long scale 6-string bass, but with the 10 different switching configurations it does have a very wide range of tonal characteristics from a nice bass tone to a great higher-pitched tone such as lower notes on a guitar. It is even suitable for playing some chords. It is tuned like a guitar, only an octave lower. It is also available strung as a baritone guitar, tuned from A-A.
The Sterling is a sleeker, lighter bass than the StingRay. It has a thinner neck and smaller body. The 3-way switch offers more tonal varieties, and the phantom coil offers a single-coil sound without noise.
Now both are available in dual-pickup versions. On those models, the 5-way switch functions are the same, but the main properties of each bass, including the electronics, remain different from each other.
1. They do not put out enough voltage (at least 8.4 volts) to properly run the instruments. NiCad and NiMh "9-volt" batteries, even when fully charged, put out a maximum of 7.2 volts.
2. Even if they did work, rechargeable batteries only hold a charge for 1-3 months. Alkaline batteries, when fresh, can go 6 months or longer. We recommend Duracell for a good fit.
Stingray 4, Bongo 4, SUB 4 - 3/4"
Sterling, StingRay 5, Bongo 5, SUB Sterling - 11/16"
The standard string gauge is .45-.100 with a .130 on the low "B" for the 5 string at 440 tuning. If you decide to tune down, typically you would increase the gauge for every 1/2 step downward that you tune. This will keep most of the measurements close by having more tension on the neck.
Factory String heights are: Bass side 3/32 to 7/64 Treble side: 5/64" to 7/64" from the top of the 12th fret to the bottom of the string. The rest of the strings should have the radius of the fretboard when looking at the top of the string, (with the A string hidden from view by the E string, etc.), rotating the bass at the same time. The "right" string height is, of course, ultimately determined by your playing style.
The pickup should be 4/32" to 5/32" on the bass side and slightly closer (4/32" to 5/32" on the treble side. This is determined by tuning and volume of strings measured by the top of the pole piece to the bottom of the strings. If the G string needs more volume, adjust it slightly more toward the pickup. Again, if you tune down, more distance is needed here, as well; but in any case, no lower than 4/32".
If fret buzz occurs from the open to the fifth fret, the neck needs more relief. If it buzzes between the 5th fret and the 12th fret, the neck needs to be straighter (turn the wheel slightly clockwise). If it occurs all over the neck, the string height need to increase (by turning the trussrod wheel slightly counter-clockwise).
For intonation: Check the harmonics to the fretted note on the 12th note on the twelfth fret if you don't play much above that fret. If you do, also check the harmonics at the 19th fret after the 12th fret is set. If the fretted note is sharp, you need to make the string longer by turning the saddle screw counterclockwise, and vice versa. Make sure that the string are coming off of the saddle straight and not in an arch. All measurements must be rechecked after each adjustment.
The 3-Band Bass EQ uses a standard bandaxal circuit centered approximately 500 Hz. The frequency slope is 6 db per octave.
With the bass control in max position, the maximum output will occur at 40 Hz and drop at 6 db per octave above 40 hz. Maximum treble response drops at 6 db per octave at frequencies below approximately 12 kHz. Midrange is centered approximately 500 Hz.
Control settings are interactive, therefore 6 db per octave only occurs when one control is in the maximum position and the two remaining controls are set to minimum.
For a slope diagram, click here
Once it has normalized, check it over. If there is no apparent damage, you're probably fine, and there is no need to worry. Just don't let it happen again.
If there are problems - perhaps it would be a good idea to contact us.
The purpose of this new nut design is to improve note accuracy all over the fretboard. This is most apparent at the lower frets.
There is no special tuner, setup, or intonation required.
This nut is standard on all Music Man guitars and basses - even SUBs.
The Compensated Nut has been engineered to improve your Music Man instrument's potential to play perfectly in tune up an down the fretboard. Each string has an individual intonation pocket that slightly changes the effective string length, causing notes that traditionally play sharp to be more in tune.
The design has been optimized for standard string gauges and tunings, but will be of benefit when used with alternate tunings, string gauges, and playing styles.